Workshop mit Gloria Hasnay Katrin Mayer
in Kollaboration mit Johannes Porsch
Based on lecture scenarios and materials for the exhibition Key Operators. Weaving and coding as a languages of feminist historiography, curator Gloria Hasnay and artist Katrin Mayer—together with students—are developing a situational, temporal-spatial experimental arrangement: How do different moments of the institutional setting, both the exhibition/publication and the workshop/lecture itself, play into the articulation of this “arrangement in progress”? How does the (conceptual) object “exhibition” change its multi-layered, temporally, spatially and medially heterogeneous structure, how does it reorganize itself when it is translated from one institutional setting (exhibition space, publication space) into another (seminar space)? How do lecture scenarios and (supplementary) materials as well as “content and form” of the exhibition (re)articulate themselves in the course of the workshop as an expression of a group or group composition?
https://katrinmayer.net/
https://www.gloriahasnay.com/
07.04.2025, SR 09
08.04.2025, SR 10
14:15 – 18:45 Uhr
Universität für angewandte Kunst
OKPV*, 1. OG
Together with students, Gloria Hasnay and Katrin Mayer design an experimental spatial-temporal arrangement based on lecture scenarios and materials from the exhibition Key Operators. Weaving and Coding as a Means of Feminist Historiography. They explore how institutional frameworks shape this arrangement and how questions of feminist historiography are rearticulated as collective expressions throughout the workshop.
DE
Gemeinsam mit Studierenden entwerfen Gloria Hasnay und Katrin Mayer eine experimentelle räumlich-zeitliche Anordnung, die auf Vortragsszenarios und Materialien der Ausstellung Key Operators. Weben und Coding als Mittel feministischer Geschichtsschreibung aufbaut. Sie erforschen, wie die gegebenen institutionelle Rahmenbedingungen die Gestaltung dieser Anordnung prägen und wie sich Fragen feministischer Geschichtsschreibung im Workshopverlauf als kollektive Ausdrucksformen neu artikulieren.
Unterstützt von/supported by
KKP talks and workshops program DIRTY PINK WATERS OF COLLECTIVITY,
Kunst und Kommunikative Praxis, o.Prof.in Sofia Bempeza, o.Prof.in Annette Krauss,
mit/with Textiles – Free, Applied and Experimental Artistic Designs, o.Prof.in Ebba Fransén Waldhör,
Expanded Museum Studies, o.Prof.in Julienne Lorz.
Anmeldung bis 04.04. 2025 unter
https://base.uni-ak.ac.at/courses/2025S/S03284
https://base.uni-ak.ac.at/courses/2025S/S03165
oder
johannes.porsch@uni-ak.ac.at
OKPV*, 1010 Wien, Oskar-Kokoschka-Platz 3, Verbindungstrakt
