News

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GUIDE NEUES CURRICULUM

Guide für das neue Curriculum Lehramt DEX/ KKP Download here

Dieses PDF enthält vorläufige
Informationen zum neuen Curriculum
auf Basis der ersten Lesung im Senat.
Alle Angaben erfolgen ohne Gewähr
und können sich im weiteren
Beschlussverfahren noch ändern.
Für Anrechnungen ist das
Studiendekanat zuständig.

Quellen und weiterführende Links:
Hochschul-Qualitätssicherungsgesetz
BGBI. I Nr. 74/2011 zuletzt geändert
durch BGBI. I Nr. 50/2024
Inkrafttreten am 01.07.2024

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GATHERING AGAINST THE AUTHORITARIAN SHIFT

Dienstag/Thursday 09.06.26
17Uhr/5pm- 19Uhr/7pm
@Seminarraum/room 20
5. Stock/Floor VZA7

PROGRAMME

17:00 – 18:00
Talk with
Lidija Krienzer-Radojević (Geschäftsführung IG Kultur Steiermark)
& Vera Wolf (Geschäftsführung IG Kultur Wien

18:15 – 19:00 
Work Groups
Planning next Semester – Mobilisation and Care

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AUFRUF ZUR DEMO / CALL FOR THE DEMONSTARION


Mit/ Wed, Mai 27, 2026
13.00

Start
Ring vor dem Hauptgebäude der Uni Wien /
Ring in front of main builduing of Main University Vienna

Wir fordern
GEPLANTE KÜRZUNGEN ZURÜCKNEHMEN!!! GELD FÜR BILDUNG STATT MILITÄR!!!
We demand
REVERSE THE PLANNED CUTS!!!
MONEY FOR EDUCATION INSTEAD OF THE MILITARY!!!


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WORKSHOP – Dirty Pink Waters of Collectivity

DUBIOUS PLEASURES – DIVERSITY AND CRITICISM IN LEOPOLDSTADT
Iketina Danso, Hint Verein

Mit/Wed 6. Mai 2026 14:00-18:00

Treffpunkt / Meeting point:
Universität für angewandte Kunst Wien
Rustenschacherallee 2 – 4
A-1020 Wien

Deutsch (wisper translation in Englisch)
Bitte registrieren/ please register at:
dpw@uni-ak.ac.at

see more here

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FILM SCREENING & WORKSHOP – Dirty Pink Waters of Collectivity 2026

FILM SCREENING

R21 aka Restoring Solidarity
by Mohanad Yaqubi
in collaboration with Movie Nights and yasmine eid-sabbagh

14. April 19:00
Applied Photography Studio
OKP Schwanzer Trakt
4th Floor

Documentary
Director: Mohanad Yaqubi
Palestine/Belgium/Qatar 2022,
71 min., Arab./Jap. with En. ST

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WORKSHOP

Fotografische Archive, Kollektivität und Solidarität
workshop held by yasmine eid-sabbagh

April 17. + 18. April, 10:00 – 17:00
Universität für angewandte Kunst Wien 
Vordere Zollamtsstraße 7
1030 Wien
Raum 306, 3. Stock

Anmeldung unter/ Register at dirtypink@uni-ak.ac.at 
Der Workshop findet auf deutsch statt / The workshop will be held in German 

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LIVE DRAWING WORKHOP – Dirty Pink Waters of Collectivity 2025/26

Invizible Bodies – Life Drawing Workshop
with Nepor Sandei (Mamusu Kallon) 

9. Jan. 2026 
16.30-19.30 Flux 1, VZA7  
KKP in collaboration with STIR 

An engaging life-drawing workshop where the model is both subject and storyteller. All drawing materials are included. All skill levels welcome. A vegan meal will be served. Strictly no photography.  

Registration (limited places) until 05.01.2026
@dirtypink@uni-ak.ac.at 

see more 

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PERFORMANCE – Dirty Pink Waters of Collectivity 2025/26


Finding the Voice in Language –
A Bilingual Spoken Word Performance
with Jeffrey Angles and Hiromi Itō

This poetry reading performance grows out of the installation and performance project. WE ARE KOMACHI, newly commissioned for the Asian Triennale Manchester 6.

24.11.2025 – 18:00–20:00 Uhr
Universität für angewandte Kunst Wien
Rustenschacherallee 2–4
1020 Wien

in collaboration with the Artistic Research PhD Program in Art, Sprachkunst, and the 6th Asian Triennial Manchester 

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CONFERENCE – What Is Infrastructural Critique?

Marina Vishmidt, The Redistribution of Time: Responsibility and Negation. Lecture images, Goldsmiths College Department of Art MFA Lecture, 2020. Design: Rosen Eveleigh.

A conference in celebration of the life and work of Marina Vishmidt

October 29–31, 2025
Vordere Zollamtstraße 7, 1030 Wien
Auditorium, EG / Ground Floor

The conference What is Infrastructural Critique? will feature artists, critical theorists and collaborators with Marina Vishmidt, who will come together to think through Marina Vishmidt’s concept of infrastructural critique, a materialist approach to the infrastructures of contemporary art oriented towards aesthetics and political struggle in all of its interconnected modes and scales. Themes of discussion will include: infrastructural critique and ecology, infrastructural critique vs. institutional critique, art and political economy, art and logistics, the politics of abolition in contemporary art, infrastructural critique and music and the relationship of infrastructure to race.

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